I enjoy working with the human form, usually in a gentle context, and as an accent in the wilderness.
All images are links to larger presentations of the image.

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Sideways Glance

The soft lighting and whiteness of the eyes,
makes this an evocative image.

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Reaching

The spiral formed by the body really makes this image work

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"A." with rocks

This image is interesting since it counterpoints
the frailty of the figure with the Mass of the rocks.

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Model relaxing

Same location as previous image.
Soft light helps make this a relaxing image

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Lydia at wall

Photographed on a 1920's ferry boat in restoration

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Figure and flag

The deck, flag and figure make a fun design

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Through the leaves

All sorts of figures yield interesting abstractions

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Twins

Two similar models relaxing in slot canyon. The similarity of tones between skin and rocks is caused by the soft reflected light deep in a slot canyon.

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The Far Shore

A composite. The storm adds drama to the scene

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Guardians of Venus

Again from two negatives.
I love the trees protecting the figure in repose

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Lioness in her cave

in a canyon near Moab, UT

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By the Petroglyphs

I wish I could have included more of the petroglyphs,
but one step backwaard was 30 feet down

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Shenandoah Moonrise

This is actually a multible exposure, of B&W negatives,
onto color paper, with filters

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Softness of being

The diffuse light and near tone match of the skin and clay yields the softness of the image

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Sideways Glance (B&W)

A Black and white version

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Swoop

A 3 second exposure, with fan and motion

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Venus and the Moon

This was really shot at mid day, then printed to look like night.
THe moon and the Planet Venus were printed in from another image

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Venus in the Wind

Another 3 second exposure, but with flash also

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Lone Walker

The desolation of the landscape emphasizes the frailty of
the lone nude (unprotected) figure

Comments, questions, suggestions etc. to Rein Karp
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