I enjoy working with the human form, usually in a gentle context,
and as an accent in the wilderness.
All images are links to larger presentations of the image.
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Sideways Glance
The soft lighting and whiteness of the eyes,
makes this an evocative image.
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Reaching
The spiral formed by the body really makes this image work
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"A." with rocks
This image is interesting since it counterpoints
the frailty of the figure with the Mass of the rocks.
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Model relaxing
Same location as previous image.
Soft light helps make this a relaxing image
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Lydia at wall
Photographed on a 1920's ferry boat in restoration
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Figure and flag
The deck, flag and figure make a fun design
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Through the leaves
All sorts of figures yield interesting abstractions
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Twins
Two similar models relaxing in slot canyon. The
similarity of tones between skin and rocks is caused by the
soft reflected light deep in a slot canyon.
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The Far Shore
A composite. The storm adds drama to the scene
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Guardians of Venus
Again from two negatives.
I love the trees protecting the figure in repose
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Lioness in her cave
in a canyon near Moab, UT
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By the Petroglyphs
I wish I could have included more of the petroglyphs,
but one step backwaard was 30 feet down
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Shenandoah Moonrise
This is actually a multible exposure, of B&W negatives,
onto color paper, with filters
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Softness of being
The diffuse light and near tone match of the skin and
clay yields the softness of the image
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Sideways Glance (B&W)
A Black and white version
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Swoop
A 3 second exposure, with fan and motion
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Venus and the Moon
This was really shot at mid day, then printed to look like night.
THe moon and the Planet Venus were printed in from another image
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Venus in the Wind
Another 3 second exposure, but with flash also
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Lone Walker
The desolation of the landscape emphasizes the frailty of
the lone nude (unprotected) figure
Comments, questions, suggestions etc. to
Rein Karp
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