I learned to photograph and print B&W when I was 9 years old.
Through diversions to painting, cartooning, theatrical lighting, and color photography, I still do Black&White work.
I enjoy the different way it requires of seeing the world.
All images are links to larger presentations of the image.

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Aspen at Dawn

The sun had not risen enough to hit the mountain in the background
I enjoy the semi-random rhythm

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Old Homestead
abandoned now, mid North Oregon.

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Pond

Yellowstone pond ( from Light page) in B&W.

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Waterfall
Barely more than a 2 inch tall ripple, exposed for the foam

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Canyon Lands
Overlooking the junction of Green and Colorado rivers
The white cap rock helps emphasise the blinding heat of the sun

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Cottonwoods, Zion Canyon
The backlight and shadows add interest to the trees

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Cottonwood Glow
While this may appear to be an Infra-red image, it isn't
Backlight through autumn leaves, and exposure for the bark,
creates the effect

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Mt. Shuckstan and lake
Most often photographed in autumn,in color
Thought I'd try something different

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Banak Hotel, hallway
Abandoned ~80 years, now Montana State park
The caretaker is also a photographer, and thankfully left the towel on the doorway, for interest.

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Another hallway
Though dark situation, image printed high-key
to give a light airy feeling and glow to the sunshine through windows.

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Slot Canyon
photographed in b&w, then brown toned.
I didn't realize the shape formed an outline of a bear untill I printed the image.

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Dried Leaf
just practicing with stuff in my back yard

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Thunder Storm
near Hurricane, Utah

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Glow on Tombstones
The setting sun yielded nearly blinding reflactions from some of the tombstones, while leaving the overall scene dark ans somber.

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Mt. Adams
seen at sunset, with roads through wheat fields,
Mid-northern Oregon

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Joe H.
As Charles the first, "Lion in Winter"
I use to do some theatre publicity photography.
Actors make good photo subjects.

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A variation on the first image on the figure page

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Sentinel (1)
A large formation near Monument Valley, Arizona
The clouds were interesting, but difuse light on the rock.
( see below )

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The Sentinel (2)
Two years later, good light on the rock, no clouds;
so I double exposed some from another negative, onto the print

image of.
Allie
The clouds were digitaly added to the figure in forground.

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Alone in canyon
The smallness of the figure is emphasized by the mass of the rocks

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Clouds over Monument Valley
Wonderfull Cloud formations are common in the 4 corners area.
these were also used for several other images.
Both a Polarizing filter and an orange filter used to make the sky black.

Comments, questions, suggestions etc. to Rein Karp
All photographs on this and any of the other pages are protected by © Copyright; whether or not the copyright symbol appears. Permission is granted for personal viewing only; no rights are granted hereby. Any manner of further personal, commercial or editorial use is prohibited except by written permission of the photographer.
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